The actual shoot went pretty well. I had one line in an interrogation scene “I don’t bargain with murderers” which I delivered to a man in a wheel chair** after being punched by a large directing student named Lex. The Fitzmaurice work was helpful; I went through the destructuring series as a warm-up before the shoot began. Of course the destructuring series can feel like torture, so it lessened the amount of acting I had to do for the scene.
When the AD invited us to enter the set, I came in guns-a-blazin’. I was emotionally connected, focused, and in-the-moment… for about an hour. And then the shoot began. It went well (my goal was not to push) but I had blown my emotional wad during the camera rehearsal, so I was a semi-dead.
I brought this up in my acting class tonight, and my instructor Richard Seyd said “Never do that. Focus on learning the blocking and the mechanics of the shot during the rehearsals, save the emotion for the actual shooting.” Well, I suppose you live and you learn.
TIP: After a shoot is over, individually thank *every* member of the crew. It’s the right thing to do, they have helped you quite a bit after all.
*Apologies to any Gypsies or descendants thereof for the use of “gypped”.
**Ask me in person for a story about a teenage boy who wants to swim the great lakes and is a fan of truck drivers.
1 comment:
Couldn't agree more. Many of the "old school" 4 year programs drag out their film programs and don't give students much access to equipment until their Jr. or Sr. years.
Schools like LAFS and NYFA both offer students access to cameras from day one. Not sure about LAFS, but I know NYFA also offers shorter 4 week programs for students to get a taste of a film program before committing $20K+ to a full year tuition.
Why not test drive before you buy the car?
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